
Fashion campaigns usually put models at the forefront. For its FW26 campaign, however, DSM Kei Ninomiya brings together creators from across different disciplines: street culture icon Hiroshi Fujiwara, filmmaker Hirokazu Kore-eda, actress Miwako Ichikawa, costume designer Michiko Kitamura, and Queen Bee frontperson Avu-Chan. Starting with football apparel as its point of departure, the collection deconstructs the rules of sportswear and fan culture, transforming them into a language of creativity and self-expression. Kei Ninomiya describes it as clothes for nameless communities.
This is not a campaign designed simply to sell clothes. It feels more like a portrait of the people the brand wants to stand alongside. It proposes a vision where people from different backgrounds can be connected through culture. Each creator does not merely wear the garments but carries the story they have built over a lifetime. The uniformity of sportswear disappears, replaced by individual narratives inscribed into the fabric. Which figure left the strongest impression on you?
This is not a campaign designed simply to sell clothes. It feels more like a portrait of the people the brand wants to stand alongside. It proposes a vision where people from different backgrounds can be connected through culture. Each creator does not merely wear the garments but carries the story they have built over a lifetime. The uniformity of sportswear disappears, replaced by individual narratives inscribed into the fabric. Which figure left the strongest impression on you?








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