모자는 얼굴을 가리는 게 아니라 드러내는 것 — Cover

Hats That Reveal Instead of Conceal

Forget ordinary hats. Paris-based milliner Sassa Ann van Wyk works with feathers, veils, raffia, silk, and deadstock fabrics to create hats and headdresses that transcend mere accessories.

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Forget ordinary hats. Paris-based milliner Sassa Ann van Wyk works with feathers, veils, raffia, silk, and deadstock fabrics to create hats and headdresses that transcend mere accessories. Instead of simply framing the face, her sculptural pieces become the focal point of an entire look, transforming headwear into objects of presence rather than practical covering.

Van Wyk's creations lean toward imagination over utility. Oversized brims, bold volumes, and unexpected proportions turn the act of dressing into a performance in itself. Her commitment to using vintage and deadstock materials also weaves sustainability into her practice. While some may consider her designs too daring for everyday wear, for van Wyk, a hat is not a tool to hide behind—it's a work of art meant to captivate attention from the first glance.

Her headdresses function as sculptural objects, redefining the wearer's silhouette rather than simply adorning it. In her world, the hat is never the finishing touch. It's the main character. This is the new language of millinery that Sassa Ann van Wyk offers: hats that reveal instead of conceal.

FAQ

What materials does Sasa & van Beek use for hats?

Paris-based milliner Sasa & van Beek works with feathers, veils, raffia, silk, deadstock fabrics, and diverse materials to complete hats as objects that become the centerpiece of entire looks.

What distinguishes Sasa & van Beek's headpieces?

Oversized brims, bold volumes, and unexpected shapes maximize presence rather than concealing the wearer, while actively incorporating vintage and deadstock materials to embed sustainability into the work.