CG가 아니라 물리적 착시로 만든 얼굴 해체 실험 — Cover

Physical Illusions That Break the Face, No CGI

Anna Vasof stretches, hides and duplicates her own face. Eyes, nose, mouth become objects under her hands. It looks like CGI, but everything is built from handmade devices and physical illusions.

Follow PAP on Instagram
Anna Vasof stretches, hides and duplicates her own face. Eyes, nose, mouth become objects under her hands. It looks like CGI, but everything is built from handmade devices and physical illusions. She touches reality to extract impossible images. Her body is treated as raw material, consistently.

Her experiments did not start with the face. From shoes to brooms, she has twisted the intended function of everyday objects. She reversed the mechanics of moving images. Now that playfulness turns toward her own body and face. Breaking the rules of familiar things on purpose is her language.

Vasof's work is funny and grotesque. The way she shakes what we take for granted is rude. It makes you ask whether a face can be treated this carelessly. But that question might be exactly what she wants. Boundaries become visible only when you touch them.

In her hands, the everyday becomes a strange world. The body is presented not as a fixed form but as a material that can be deformed. Physical laws hold, but vision is betrayed. It is proof that reality can become this unstable without digital tools.

Can you treat your own face as an object? Have you ever broken the rules of something familiar on purpose?

FAQ

Is Anna Vassof's work CGI?

No. Anna Vassof's work is not CGI but created through handmade devices and physical optical illusions. It's a method of pulling impossible images out of reality itself.

How does Anna Vassof approach her work?

She twists the function of everyday objects and treats her own body and face as sculptural elements. She stretches, hides, and duplicates eyes, nose, and mouth, deliberately misusing familiar things.

What has Anna Vassof experimented with?

She has experimented with everything from everyday items like shoes and brooms to the mechanics of how film moves. Now she continues her work using her own body and face as material to distort reality into something uncanny.