Rita Afonso Ferreira

黑色羽毛与有机结构构成的头饰垂坠于背部,将中世纪华服与前卫雕塑融合。通体黑色造型采用网状结构铺陈于肩部,光泽系带袖将服装转化为建筑,拍摄对象苍白的侧脸凝视远方,背景是素淡墙面。另一幅画面取景于地下停车场的混凝土柱下,羽毛镶边的透视黑色长裤遇上人工光线的锐利边缘,整个空间化为冷峻克制的舞台。由Rita Afonso Ferreira携手Dana Fracalossi、Mar Morata Flores、Mario Rui Silva、Guillermina Bragard、Adriana Cabezudo、Georgina Z、Julie Horackova与Daryna Kovtsur共同打造,这组视觉叙事将身体转化为游走于哥特与极简主义之间的雕塑工具。阴沉灰调剥离情感,只余形态,记录时尚从服饰跨越至概念艺术的临界时刻。

A headpiece crowned with black feathers and organic structures draped down the back fuses medieval regalia with avant-garde sculpture. The monochrome black look features a net-like construct spreading across the shoulders and glossy lace-up sleeves that transform garments into architecture, while the subject's pale profile gazes into the distance against a muted wall. In another frame beneath the concrete columns of an underground parking structure, sheer black trousers layered with feathered trim meet the sharp edge of artificial light, casting the entire space as a cold, restrained stage. Crafted by the collective vision of Rita Afonso Ferreira alongside Dana Fracalossi, Mar Morata Flores, Mario Rui Silva, Guillermina Bragard, Adriana Cabezudo, Georgina Z, Julie Horackova, and Daryna Kovtsur, this visual narrative turns the body into a sculptural instrument oscillating between gothic and minimalism. The overcast grey palette strips away sentiment and leaves only form, documenting the moment fashion crosses the threshold from costume into conceptual art.