DAY DREAM

在白日溶解为瓷白寂静的幻梦中,肌肤被漂白至釉面陶瓷般的光洁,雕塑感头饰将人体轮廓重塑为异世之姿。开篇画面呈现一只镀金蜗牛造型环抱前额,其触角如金属传感器般向上弧起,映衬着向后梳理的光洁发丝——昆虫学与未来主义的碰撞,兼具有机性与工程感。柔软的灰色面料以丰盈褶皱垂坠于肩部,哑光质地在冷调棚光下与苍白肤色融为一体,构成一幅关于肌理与体积的单色研习。第二帧画面中,人物悬浮于白色羽毛与水晶面具之后,面具镶嵌于额头,裸露的躯干在大理石平面上方显得幽灵般苍白,放大了这种飘渺梦境般的疏离感。整体色调如月光——白色、银色、鸽灰色——以均匀柔和的明晰光线照亮,消弭了阴影,将作品根植于超现实主义美学的视觉语言。由Alex Salinas、Diego Ibáñez、Liz Jardon、Jorge Fercer及Nativo Management共同构思,这组时装片将面孔与身体视为先锋帽饰与装饰性义肢的画布,每一件单品都将形式推向极致。

In a reverie where day dissolves into porcelain stillness, skin is bleached to the finish of glazed ceramic and sculptural headpieces remake the human silhouette into something otherworldly. The opening image presents a gilded snail form cradling the forehead, its antennae arcing upward like metallic sensors against slick-backed hair — a collision of entomology and futurism that feels both organic and engineered. Soft grey fabric drapes across the shoulder in generous folds, its matte surface merging with the pallor of skin under cold studio light to create a monochrome study in texture and volume. A second frame suspends the figure behind a sweep of white feathers and a crystalline mask encrusted across the brow, the torso bare and spectral above a marble plane that amplifies the ghostly, dreamlike remove. The palette throughout is lunar — whites, silvers, dove greys — lit with even, diffused clarity that erases shadow and grounds the work in the visual language of surrealist beauty. Conceived by Alex Salinas, Diego Ibáñez, Liz Jardon, Jorge Fercer, and Nativo Management, this editorial treats the face and body as a canvas for avant-garde millinery and prosthetic ornament, each element calibrated to suspend the viewer between waking and sleep.