BE MY UNIVERSE

电光蓝与酸性绿切割肌肤与空间,在这组色彩肖像中将人物渲染为来自异星系的访客。首帧以链条与珍珠细节项饰搭配无袖黑色上衣——来自Kim Nayoung、Lavinia、Lee Yeseul、Bakya与Ahn Hyungkyu,霓虹色片将面部切割成平面,令人联想科幻电影中的外星女王。由Ha Eunbin、Rany、Jane Song、Omusi Yoon与Brandazine操刀的造型,以透黑欧根纱衬衫与系带长裤叠穿出未来主义哥特语汇,坐姿置于粉至蓝渐变背景前,挑战地球重力法则。色彩分离光效——一种刻意的模拟故障——将画面分裂为竞逐的色频通道,金属链条配饰捕捉并折射光线,如同冷冻太空服的组件。这组作品与其说是时装,不如说是异星生物学:一副被借用以解码地球美学的人类躯壳。

Electric blue and acid green light slice across skin and space, rendering the figure as a visitor from another star system in this chromatic portrait. The first frame features chain and pearl-detail neckwear draped over a sleeveless black top, credited to Kim Nayoung, Lavinia, Lee Yeseul, Bakya, and Ahn Hyungkyu, while neon gels carve the face into planes that recall sci-fi cinema's alien queens. Styling by Ha Eunbin, Rany, Jane Song, Omusi Yoon, and Brandazine layers sheer black organza shirting and lace-up trousers in a futurist-goth register, the seated pose against a pink-to-blue gradient backdrop defying earthly gravity. Colour-separation lighting—a deliberate analog glitch—fragments the image into competing channels, while metallic chain accessories catch and refract light like components of a cryogenic spacesuit. The editorial reads less as fashion and more as xenobiology: a human form borrowed to decode terrestrial aesthetics.