TIANYI — Cover

TIANYI

Red wash floods skin and transparent plastic chains alike, collapsing the divide between Y2K club culture and avant-garde beauty construction. Glitter coats the face like perspiration, over which Juliette Lamy and Au Rousseau's undulating transparent headpieces stack in sculptural layers that frame the profile. Chain-link sunglasses cut horizontally across the eyes, while Marqiny Corda's translucent PVC garments are shot alongside a handheld mirror ball, staging a duet between disco nostalgia and cyberpunk materiality. The pink-lit background and soft focus recall early-2000s pop iconography, yet the architectural rigour of the headpieces elevates the editorial beyond pastiche. Tianyi Lin's styling layers the tactile sheen of plastic with neon-hued light, proposing a new corporeal silhouette that exists only under strobe—a body recomposed by the very surfaces it wears.

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FAQ

Which brands appear in the TIANYI editorial?

Juliette Lamy and Au Rousseau's wave-shaped transparent headpieces, and Marqiny Corda's translucent PVC garments were used.

Who styled the TIANYI editorial?

Tianyi Lin handled the styling, layering plastic tactile textures and neon color lighting to propose new bodily forms that can only exist under club lighting.

What is the concept of TIANYI?

It breaks down the boundaries between Y2K club culture and avant-garde beauty, completing a duet of disco and cyberpunk through glitter, transparent plastic chains, and PVC materials.