SANTERIA 2.0 — Cover

SANTERIA 2.0

A contemporary icon occupies the arched frame of a Renaissance altarpiece, face entirely shrouded in a red balaclava that meets a gilded circular halo reminiscent of religious iconography. The navy denim jacket and gloves, their seams deliberately exposed and raw, carve out a structural silhouette that contrasts sharply with the pastoral landscape behind—rolling hills, distant trees, a pale sky rendered in the manner of early Italian masters. The figure's gesture hovers ambiguously between benediction and defiance, as though reinterpreting ancient devotional codes through the vocabulary of street fashion. Olive-green and brown Gothic pilasters frame this collision of eras, their ornate carvings anchoring the visual tension. Crafted by a creative team including Chiara Alessandri, Jonathan Burdin, and Ambra Giovannini, this editorial erases the boundary between sacred art and fashion photography, proposing a new object of worship stripped of its original context.

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FAQ

Who is the creative team behind SANTERIA 2.0?

The creative team includes Chiara Alessandri, Jonathan Burdin, and Ambra Giovannini. They erased boundaries between sacred imagery and fashion photography, presenting work that decontextualizes religious iconography.

What concept drives the SANTERIA 2.0 editorial?

Placing modern icons within Renaissance altarpiece arched frames. Through red balaclavas, gold-leaf circles, and navy denim jackets, it reinterprets religious icons in contemporary street language, expressing the space between sanctity and resistance.