Quarrels are everywhere — Cover

Quarrels are everywhere

A pigeon spreads its wings mid-flight toward the lens as four figures erupt in laughter and mock confrontation along a lakeside promenade. The palette is anchored in red and black: one wears an oversized coat in vivid red with dense lace cut-outs, another a glossy, vinyl-textured red dress with voluminous sleeves, all grounded by black platform boots and black under-layers that sharpen the chromatic clash. The setting shifts to a tiled subway corridor, where a figure in a long black coat brandishes a fluorescent green faux-fur scarf like a weapon, standing over a kneeling opponent, her rainbow-striped mini dress visible beneath the dark outerwear. Each frame captures exaggerated gestures of playful hostility—arms flung wide, faces mid-shout—transforming everyday backdrops into stages for theatrical tension. The images translate the concept of quarrel into visual comedy, where conflict becomes a choreographed performance of colour, texture, and kinetic energy.

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FAQ

How is the color palette structured in Quarrels Are Everywhere?

A stark red-and-black contrast dominates throughout, while neon-green fur scarves provide accents in select scenes. Black platform boots and black innerwear beneath red coats sharpen the clashing colors.

What garments are used in Quarrels Are Everywhere?

Densely lace-cutout red oversized coats, vinyl-glossy red volume-sleeve dresses, black long coats, and striped mini dresses all make appearances.

Where was Quarrels Are Everywhere shot?

It was shot in everyday spaces like lakesides and subway stations, where playful antagonism and exaggerated gestures build theatrical tension.