LOST IN THE GARDEN — Cover

LOST IN THE GARDEN

Ribbons of rust-coloured fabric caught in bare branches and a figure reclining beneath a carpet of dried leaves define this editorial, which captures the threshold between autumn's peak and winter's arrival through the textural vocabulary of YEONMIJEONG garments. The palette alternates between warm camel, deep burgundy, and cool navy, mirroring the ochre and umber tones of the surrounding woodland and the soft amber glow that filters through the frame. Oversized check patterns and chunky knit textures reinterpret classic tailoring codes with a tactile, almost sculptural quality, while the styling by Altakappa layers these pieces to evoke a sense of unhurried retreat rather than urban polish. In the ground-level composition, fallen leaves rest on lapels and cuffs, and the subject's closed eyes suggest absorption into the landscape rather than performance for the camera. Francesco Marongiu's photography employs shallow depth of field and golden-hour backlighting to dissolve sharp edges, creating a dreamlike softness that complements Susanna Pignieri's understated makeup and grooming. The garden here is not ornamental but elegiac—a space where cloth and organic matter share the same vocabulary of decay and quiet beauty.

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FAQ

Who shot and styled the Lost in the Garden editorial?

Photographer Francesco Marongiu captured the images, with styling by Altakappa and makeup by Susanna Pignieri.

What brands and color palette appear in the editorial?

YEONMIJEONG pieces are featured, with a palette of warm camel and burgundy crossing into cool navy, evoking the seasonal shift from autumn into winter.

What is the concept and atmosphere of the editorial?

Amid scattered branches and fallen leaves, YEONMIJEONG's textured knits and oversized check patterns blur the boundary between nature and garment, reimagining the garden as a stage for contemplation and decay.