DISARONNO WEARS MISSONI

By PAP Magazine Editorial

A figure stands atop monumental sculptural fragments — terracotta warriors, a reclining horse, a temple roof — all suspended against soft grey voids, holding a patterned Disaronno bottle like a talisman. The Missoni styling layers a deep crimson silk robe with plunging V-neckline and trailing sleeves over pleated white underlayers, the waist cinched by a red belt that echoes the bottle's motif. In another frame, an asymmetric one-shoulder drape in pale grey fabric is anchored by a glossy black fringe belt, the body perched on a terracotta plinth beneath a floating pagoda eave. The palette — burnt sienna, oxblood, chalk white — feels deliberately archival, as if the collaboration between Disaronno and Missoni required a mise-en-scène of relics and silence. Light is diffused and even, erasing shadows, so every texture — silk weight, carved wood grain, studded armour plates — reads with sculptural clarity.