DAY DREAM — Cover

DAY DREAM

In a reverie where day dissolves into porcelain stillness, skin is bleached to the finish of glazed ceramic and sculptural headpieces remake the human silhouette into something otherworldly. The opening image presents a gilded snail form cradling the forehead, its antennae arcing upward like metallic sensors against slick-backed hair — a collision of entomology and futurism that feels both organic and engineered. Soft grey fabric drapes across the shoulder in generous folds, its matte surface merging with the pallor of skin under cold studio light to create a monochrome study in texture and volume. A second frame suspends the figure behind a sweep of white feathers and a crystalline mask encrusted across the brow, the torso bare and spectral above a marble plane that amplifies the ghostly, dreamlike remove. The palette throughout is lunar — whites, silvers, dove greys — lit with even, diffused clarity that erases shadow and grounds the work in the visual language of surrealist beauty. Conceived by Alex Salinas, Diego Ibáñez, Liz Jardon, Jorge Fercer, and Nativo Management, this editorial treats the face and body as a canvas for avant-garde millinery and prosthetic ornament, each element calibrated to suspend the viewer between waking and sleep.

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FAQ

Who worked on the DAY DREAM editorial?

Alex Salinas, Diego Ibáñez, Liz Jardon, Jorge Fercer, and Nativo Management collaborated, presenting a surrealist beauty experiment that deconstructs and reassembles the human form.

What is the concept of the DAY DREAM editorial?

In daydreams where boundaries between day and night dissolve, sculptural headpieces transform human contours into new organisms, capturing moments when avant-garde makeup and sculptural props operate as dream grammar.

What headpieces appear in the DAY DREAM editorial?

A golden snail sculpture with metal antenna-like protruding feelers, and a massive swan-evoking feather piece with a silver crystal mask.