COCKROACHES UNDER MY SKIN — Cover

COCKROACHES UNDER MY SKIN

Grainy black-and-white film renders the body as an anonymous silhouette, neither fully human nor wholly abstract. An oversized black jacket with exaggerated shoulder construction wraps the torso like armor, juxtaposed against bare legs and glossy ankle boots that anchor the frame in deliberate exposure. The face is fragmented—covered by a hand in one shot, shadowed beneath a wide-brimmed hat in another—while harsh directional light carves a second figure onto the wall behind. In the close-up, a high leather collar and the brim's clean geometry summon noir archetypes, but the gaze beneath is wary, destabilized. True to the editorial's title, the images locate discomfort not in gore but in texture: the reflective sheen of patent surfaces, the matte opacity of wool, the skin rendered almost porous under grain. Light refuses to soften; it isolates, leaving half the body to dissolve into shadow.

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FAQ

What is the concept of COCKROACHES UNDER MY SKIN?

Shot on grainy black-and-white film, it treats the anonymous body as visual texture for uncomfortable interiority, evoking noir aesthetics through exaggerated-shoulder black jackets and sharp shadows, with light revealing only half the form.

What styling and lighting are used in this editorial?

Extreme-shouldered black jackets, wide-brim black hats, glossy leather collars, and boots are styled under light that falls from one side only, revealing half the silhouette and hiding the rest in darkness.