BIOS — Cover

BIOS

A collision between digital rendering and tactile textile, where the body becomes architecture. Against a gradient field of deep blue, a figure stands wrapped in bark-like brown textures overlaid with white concrete slabs, as though excavated from a post-human ruin. The collaborative vision of Caterina Colanietro, Michele Fogazzi, Martina di Martino, Domenico Scalo, Vittorio Giordana, Letizia Longo, Karen Iaconnelli, Alina Zayikina, Wonderwall mgmt, and Ludovica Rosa treats clothing as layered fragments—turquoise, yellow, orange patches scatter across the torso, a mottled print dress drapes mid-thigh, purple boots anchor the form. Four flat-scan views dissect the figure like a character sheet, reducing the human silhouette to data points, each rotation revealing new chromatic shards embedded within. The title BIOS suggests not fashion, but firmware: a system preparing to load.

Follow PAP on Instagram 🔒 This editorial opens with a PREMIUM membership →
DOWNLOADS
Cover and logo image downloads are for Standard members.
Contributing creators: the tearsheet and hi-res images of your own editorial are included from Standard (€5.49/mo).
Subscribe →Log in
Personal, non-commercial use only

FAQ

What concept was the BIOS editorial created around?

At the collision point of digital rendering and actual textiles, it treats the body like a 3D object, composing color patches and prints scattered like fragments as surreal collage layers rather than garments. Four views unfold like flat scans, reducing the body to data like a character sheet, presenting fashion as a system boot screen as the title BIOS suggests.

Who are the creative team members involved in the BIOS editorial?

Caterina Colanietro, Michele Fogazzi, Martina di Martino, Domenico Scalo, Vittorio Giordana, Letizia Longo, Karen Iaconnelli, Alina Zayikina, Wonderwall mgmt, and Ludovica Rosa collaborated on the production.

What colors and textures were used in the BIOS editorial?

Bark-like textures in brown and beige tones layered with white concrete fragments, while turquoise blue, yellow, and orange pieces with purple boots form a surreal collage against a deep blue gradient background.