Be Witched — Cover

Be Witched

A coven convenes on playground slides, where weathered timber climbing frames and sandy ground become the improbable stage for textured couture. The standing figure wears a sculpted Sebnem Demirel gown in deep teal satin, its surface gathered into vertical pleats that cascade to the earth, while sheer organza sleeves billow into cloud-like volumes at the shoulders. Opposite her, a model reclines on the slide in a lavender-and-white printed ensemble, crowned by a crocheted headpiece from which beaded strands frame the face like a sorceress's veil. The flat daylight picks out every contrast: slick satin against rough organza, crystalline beads against matte wood, the yellow and green plastic toys scattered in the background. In the third frame the mood shifts to urban witchcraft—metallic chainmail crop top over crisp white trousers, the figure centered before a graffiti-tagged shutter in bluish dusk, suggesting that enchantment survives the transition from fairytale grove to city alley.

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FAQ

Where was the Be Witched editorial shot?

It was shot on playground slides. Old wooden playground equipment, sandy ground, and faded playground structures under dim natural light form the backdrop, transforming everyday space into a surreal stage.

Which designer's garments appear in the Be Witched editorial?

A turquoise satin dress showcasing Sebnem Demirel's sculptural sensibility appears. The pleated silhouette cascades to the floor, while transparent organza sleeves are designed to billow like clouds.

What materials and textures are used in the Be Witched editorial?

Smooth satin, coarse organza, sparkling crystals, lavender-toned printed fabric, crochet headpiece, and silver metallic crop top are used. It captures the moment when high fashion's diverse textures infiltrate everyday landscapes.