Terminal Fiction — Cover

Terminal Fiction

Cobalt suiting meets terracotta modernism in a series of suspended moments where architecture becomes backdrop to pure sculptural form. The pill-box hat and layered collars channel 1960s optimism refracted through a retrofuturist lens, each frame locking her in waiting-room tension beside obsolete payphones and curved glass. Thick textured blue against warm sand tones, the palette is as deliberate as the gaze—cool, direct, terminal.

Follow PAP on Instagram 🔒 This editorial opens with a STANDARD membership →
Watch external ↗

Credits

Photographer
@Seraphlia1212
Style
@zhangismyhumanname
Grooming
@nicoleperezbeauty
Wardrobe Assistant
@ciel_notseal
Lighting Assistant
@rhoangphoto
Assistant
@paitonavery
Assistant
@fenghaomushroom
Video Director
@x.captain_vic.x
Starring
@addisyn__leigh
DOWNLOADS
Cover and logo image downloads are for Standard members.
Contributing creators: the tearsheet and hi-res images of your own editorial are included from Standard (€5.49/mo).
Subscribe →Log in
Personal, non-commercial use only

FAQ

Who was on the production team for Terminal Fiction?

Luyang Tian photographed, Jieyi Zhang styled, and Nicole Perez groomed. Vic Luo directed video, Addisyn Leigh Allen modeled, with Ciel Yuan, Richard Hoàng, Paiton Allen, and Hao Feng assisting to complete the team.

What's the concept behind Terminal Fiction?

Set in an imaginary transit space, it explores emotional ambiguity between past and future. The world feels suspended within a looping system, creating an atmosphere that's simultaneously nostalgic and artificial, where time repeats endlessly.