Good&Evil — Cover

Good&Evil

Angelic feather constructions clash with devil-dot silhouettes in a visual refusal of binary morality. White organza wings billow over tailored grey linen and polka-dot slip dresses, while acid-lime knits collide with leopard print under cherry blossoms and open sky. The styling doesn't reconcile good and evil—it wears both at once, treating opposition as ornament. Shot against water and spring bloom, the series renders duality as pure form.

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Credits

Creative Director & Style
@m1ssal3x
Photographer
@absolutelyolivia
Make Up
@theglamourcowboy
Assist
@emma.chiaverini
Starring
@maoshiyii
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FAQ

Who was on the production team for Good&Evil?

Alex Murphy handled creative direction and styling. Olivia Bokesch photographed, Brandon Lee created makeup, and Maoshiyii modeled. Emma Chiaverini assisted, bringing together a team that explored moral duality through striking visual storytelling.

What concept does the Good&Evil editorial express?

It personifies the duality of consciousness through angel wings, expressing choices between good and evil in daily life and the conflict between society's expected answers and personal beliefs, visualizing internal moral struggle.

Which brands were featured in the Good&Evil editorial?

The shoot featured pieces from Sideara, M11, Leila Plouffe, and Yuval Sorotzkin.