바이러스에 걸린 옷, 코리 인피니트의 2026 트로이 목마 — Cover

The Trojan Horse of 2026: Cory Infinite's Viral Clothing

The end of the human era has arrived. If the Trojan Horse were reborn in 2026, it would likely pass through the hands of Cory Infinite. In his work, virus pop-ups become trouser patches, keyboards are reborn as skin.

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The end of the human era has arrived. If the Trojan Horse were reborn in 2026, it would likely pass through the hands of Cory Infinite. In his work, virus pop-ups become trouser patches, keyboards are reborn as skin. Objects are no longer called by their original names. Everyday materials evolve into living organisms under his touch, and clothing becomes less something to wear than a device that rewrites reality.

For Cory Infinite, upcycling isn't an environmental slogan—it's about rewriting the fate of existing objects. His practice feels less like fashion design and more like world-building, the kind a game developer might undertake. Hundreds of spoons become armor, thousands of keycaps grow a second skin, and discarded materials transform into futuristic artifacts.

His latest look is a full-body suit that perfectly reconstructs digital debris and everyday waste. Prints mixing 'SALE', 'CASH', logos, and warning signs recreate the visual noise of contemporary consumer society. This isn't mere collage—it's a physical translation of the digital environment we navigate daily.

The era of humans making objects is over. Now it's the objects' turn to remake us. Cory Infinite stands at that inflection point, articulating the most radical vision. To wear his clothing is not simply to consume fashion—it's to install a new worldview onto your body.

FAQ

What kind of work does Cory Infinite do?

Cory Infinite is an artist who reconstructs discarded everyday objects and digital waste into clothing. Virus pop-ups become pants patches, keyboard keycaps turn into a 'second skin,' evolving objects like living organisms.

What does upcycling mean to him?

For him, it's not just an environmental slogan but rewriting the destiny of existing objects. His approach is closer to a game developer designing worlds than a fashion designer.

What is his latest look?

It's a full-body suit with prints mixing logos like 'SALE' and 'CASH' with warning signs, physically translating the visual noise of modern consumer society by reconstructing digital trash and everyday waste.