
Central Saint Martins BA Fashion student Gory Harrison (@goryharrison) has unveiled a graduation collection inspired by religious architecture, merging historical grandeur with contemporary fashion sensibilities. The collection stands out for its architectural silhouettes and narrative depth, with each look crafted as a standalone piece of wearable art that commands attention through sculptural precision.
The standout piece is a jacket transformed through hand lino cut technique, reimagining leather as stained glass—a bold material experiment that pushes the boundaries of traditional craftsmanship. Harrison introduces monument-evoking pieces that demonstrate sophisticated construction methods and conceptual rigor. From shoes that reference Christ's Passion to structured tops emphasizing powerful, exaggerated shoulders, every detail explores the intersection of religious symbolism and modern fashion vocabulary.
Built on a minimalist black palette, the collection incorporates lace details and cross jewelry to amplify its gothic atmosphere. True to the Central Saint Martins ethos, Harrison deconstructs the majesty of traditional ecclesiastical architecture and reconstructs it into sculptural garments that challenge conventional silhouettes. This collection proves that fashion can transcend mere clothing to become a vessel for cultural narrative and historical reference, positioning Harrison as an emerging designer with a distinctive vision rooted in art historical research and technical innovation.
The standout piece is a jacket transformed through hand lino cut technique, reimagining leather as stained glass—a bold material experiment that pushes the boundaries of traditional craftsmanship. Harrison introduces monument-evoking pieces that demonstrate sophisticated construction methods and conceptual rigor. From shoes that reference Christ's Passion to structured tops emphasizing powerful, exaggerated shoulders, every detail explores the intersection of religious symbolism and modern fashion vocabulary.
Built on a minimalist black palette, the collection incorporates lace details and cross jewelry to amplify its gothic atmosphere. True to the Central Saint Martins ethos, Harrison deconstructs the majesty of traditional ecclesiastical architecture and reconstructs it into sculptural garments that challenge conventional silhouettes. This collection proves that fashion can transcend mere clothing to become a vessel for cultural narrative and historical reference, positioning Harrison as an emerging designer with a distinctive vision rooted in art historical research and technical innovation.




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