사진과 회화의 경계를 넘나들다 — Cover

Crossing Between Photography and Painting

Adalaide Sutherland moves between photography and painting, drawing out the inner tension and dreamlike narratives people carry within.

Follow PAP on Instagram

Adalaide Sutherland moves between photography and painting, drawing out the inner tension and dreamlike narratives people carry within. Her work always stands on an edge that is uneasy yet beautiful, using light and color sparingly so the grain of emotion shows all the more clearly. In a recent interview she said she spends most of her time capturing the invisible currents that surround her subjects, and one gallery review described her work as still, yet capable of making you draw a breath.
Sutherland also deliberately blurs the expressions of her figures, a device she explains as leaving viewers to fill in the emotional gaps themselves. One critic wrote in a summer 2024 issue that her work "leaves an empty chair of feeling for the audience". Such readings confirm once more that she is not simply a portraitist but a storyteller who takes the architecture of emotion apart.
Credit. @adalaide_sutherland



FAQ

Why does Adelaide Sutherland blur facial expressions in her portraits?

She explains it's a device to allow viewers to fill in the emotional gaps themselves. One critic wrote in the Summer 2024 issue that her work 'leaves an empty chair of emotion for the audience.'