Ujoh

FW19 Backstage

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Photographer: Camilla Vazzoler

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Unusual Shape

 

Photo Tatiana Materouchtcheva

https://www.tmphotoagency.com 

MUA Faatma Jendoubi

Stylist Luna Marcolini

http://www.lunamarcolini.com

Model Nicolas Pallotto

Agency Indipendent Model Management

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Clothes by Irene Baldini and Natalie Saramin

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L A T E S T

Marni SS21
30 September. 2020 - Milano Collection.
Spyder SS21
30 September. 2020 - Milano Collection.
MSGM SS21
30 September. 2020 - Milano Collection.
Shuting Qiu SS21
30 September. 2020 - Milano Collection.
Real Blue
30 September. 2020 - Exclusive Editorial

At the boundary between real and fake we are always confused. Perhaps in this place that has already become a fake, I crave real blue.

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Photography & Directing by Min Ju Young Makeup & Hair by Jang So Mi Model by Lim So ri
Cividini SS21
29 September. 2020 - Milano Collection.
Annakiki SS21
29 September. 2020 - Milano Collection.
On The Caspian Shore
29 September. 2020 - Exclusive Editorial

Photography by Toghrul Gurbanov Styling & Art by Murad Valiyev Hair & Makeup by Fazilya Radjabova Model by Diana Katova
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Fashion by Naveen, Sergio Rossi, Penti, Ma mére m’a dit non, Christian Dior, Tacco per tutti, Swatch, Skims, Parcha Studio, Hakan Akkaya, Kara and IWC Schaffhausen
Andrea Pompilio SS21
28 September. 2020 - Milano Collection.
Vìen SS21
28 September. 2020 - Milano Collection.
Tod's SS21
27 September. 2020 - Milano Collection.
Gilberto Calzolari SS21
27 September. 2020 - Milano Collection.
ACT N1 SS21
27 September. 2020 - Milano Collection.
A Party to Recollect
28 September. 2020 - Exclusive Editorial

Once upon a time, the lands that we lived in were changing and a global pandemic was deconstructing our very notion of normality. This world was on the brink of collapse, life would be unable to continue. Fast fashion made in low- wage countries, discrimination based on color and gender and a huge overproduction of clothing - were just some of the issues that were causing an uprising. The human race was standing still, the system was resetting, and we were able to question the institutions that we had built up. To see right from wrong, and pull the world out of darkness and into a brighter, more informed future.
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On a beautiful estate in the countryside, a group of friends got together after this reset. They decided to celebrate the future and were preparing for a different way of living. They are a reborn generation; who choose to be unique. To celebrate their right to self-expression,
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extravagance and elegance. Ready to embrace a healthy lifestyle and a now fair fashion industry. An industry that has been able to re-emerge as one that sees no distinction between the people of this planet. Their arms are now open wide to everyone.
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Creative Director & Styling by Hester Arends Photography by Florine Nijntjes Makeup & Hair by Xiu Yun Yu & Séra Comté Photography Assistant by Isa Beau van Eembergen Model by Marjorie Richards, Hannes Schievink, Guus Damhuis, Lyanne Wiersema, Max van der Voort and Noëlle Marilou Text by Georgia Calderbank
Sportmax SS21
26 September. 2020 - Milano Collection.
Marco Rambaldi SS21
26 September. 2020 - Milano Collection.
Sunnei SS21
26 September. 2020 - Milano Collection.
Prada SS21
26 September. 2020 - Milano Collection.
Unicelular
27 September. 2020 - Exclusive Editorial

Photography by Celeste Martearena Styling by Lucas Cejas Hair & Makeup by Marina Eskenazi & Dolores Zuccaro Post by Virginia Taboada Model by Santi Fumiere, Fausto Lozano, Nicolas chapt from ADON MANAGEMENT and Isabella Maidanik from CERES MANAGEMENT Location by Mr Pixel Studio
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Fashion by Chloe, J.P Gaultier, Belen Amigo, Olaza, Anunnaki,
Prada and Zara
Anteprima SS21
25 September. 2020 - Milano Collection.
Max Mara SS21
25 September. 2020 - Milano Collection.
A Zed And Two Astronauts
26 September. 2020 - Exclusive Editorial

Photography & Art Directing by D.A.D. Producer by Maria Gubanova Styling by Tatiana Korn & Julia Makusheva Hair by Dima Abramovich Makeup by Anna Merkusheva Photography Assistant by Kirill Aleksandrov Hair Assistant by Nika Sapondzhyan Makeup Assistant by Nadia Shimba Model by Anastasia Belova, Julia Gnedchik, Maria Golod and Julia D Location by Nesterov Eco-Farm Thanks to Maria Babkina & Ksenia Rats
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Fashion by Zara, Versace, Raganella Princess, Bikini Lana, Jestoms, H&M, Hope, North Fox, Baldinini, All Saints, Christian Louboutin, Mango, Korolek Jewelry Moscow, Dolce & Gabbana, C'est_Monique, The other Stories, Jimmy Choo, Lise Charmel, Nina Ford, Gianvito Rossi, Elini Swim, LN Family, Stradivarius, Poison Drop, Dorothée Schumacher, Ballin, Marciano Los Angeles, Ash, Max Mara and Chanel 
Alberta Ferretti SS21
25 September. 2020 - Milano Collection.
N21 SS21
25 September. 2020 - Milano Collection.
Fendi SS21
25 September. 2020 - Milano Collection.
Rolling
25 September. 2020 - Exclusive Editorial

Photography by Isabel Rovira Film by Feminin Films Styling by Eduardo Jairycovich Makeup & Hair by Almudena Traver Assistant by Mario Summers Model by Ilenia Goiri Location by Espacio Nolich
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Fashion by Sergio Fernández, The Nude Label, Devaya, Visori and Siamo Studio
Coach Spring 2021
24 September. 2020 - COACH FOREVER.

COACH INTRODUCES SPRING 2021 WITH "COACH FOREVER"
Collection Mixing Past, Present and Future; Presented Virtually With Coach Family

Coach today debuts its Spring 2021 collection within Coach Forever, a mix of past, present and future designs in a virtual presentation made in collaboration with Juergen Teller. Created in unprecedented times, Coach Forever spotlights the optimism of craft, community and responsibility to the planet through new, vintage and archival Coach designs. It also features recontextualized key pieces from Fall 2020.

Coach Forever is a reflection on what matters most right now and a statement about responsibility, renewal and reduction. Inspired by Coach Creative Director Stuart Vevers' vision of practical optimism, the collection tells the story of Coach bags beyond the runway as they are worn, cared for, personalized and passed down. Grounded in Coach's legacy of craft, it offers a vision of a more mindful future featuring better-made things.

“With Coach Forever, I wanted to find new ways of doing things,” said Vevers. “It was important to me to challenge how we create our collections, and consider their impact on our communities and the planet. I'm excited to keep exploring that through designing and learning, and to have brought this to life with Juergen and our Coach Family.”

Worn by members of the Coach Family, a global cast that includes Kaia Gerber, Kate Moss, Debbie Harry, Kiko Mizuhara, Jeremy Lin, Megan Thee Stallion, Cole Sprouse, Jon Batiste, Paloma Elsesser, Hari Nef, Binx Walton, Lexi Boling, Xiao Wen Ju, Kelsey Lu, Bob the Drag Queen and Rickey Thompson, the presentation brings together friends of Coach to tell a story about the enduring importance of community and inclusivity.

Shot remotely from around the world, Coach Forever will be unveiled as a film presentation and supported with additional social content over the course of three days, all revealing the collection and cast through the lens of Teller. For the film presentation, Vevers and Teller worked with singer, songwriter and producer :3lON to design the music and debut “Yesterday,” a not-yet-released track.

Emphasizing the house's commitment to a more environmentally responsible approach to fashion, Coach Forever introduces bags crafted to last from vegetable-tanned, naturally-dyed leather alongside totes made completely of recycled materials. These include fabrics made from recycled plastic bottles, accessories and ready-to-wear crafted of up-cycled remnants, and vintage pieces personalized with embellishments and embroidery.

Coach Forever also introduces "A Love Letter to New York," a special collection crafted by New York City artisans in support of the fashion community in the house's hometown. It is dedicated to the city’s enduring spirit of creativity, optimism and courage.

About Coach
Coach is a leading design house of modern luxury accessories and lifestyle collections, with a long-standing reputation built on quality craftsmanship. The brand approaches design with a modern vision, reimagining luxury for today with an authenticity and innovation that is uniquely Coach. All over the world, the Coach name is synonymous with effortless New York style.
Not My Heart
24 September. 2020 - Exclusive Editorial

Creative Direction, Photography and Styling by Natalie McKain
Makeup by Carly Lim Assistant by Isobel Jarrett Model by Amy
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Fashion by Ganni, Thornton Bregazzi, Marni, Dries Van Noten and Betty Liu
Vinti Andrews SS21
23 September. 2020 - London Collection.

Vinti Andrews is a London based contemporary fashion brand formed of the collaboration between VintiTan and Paul Andrews. Reconstruction, recycling and repurposing are at the heart of the brand’s commitment of low impact innovation and originality, fused with Tan and Andrew’s shared influences from British street and music culture. For SS21 Vinti Andrews present their collection in a digital format, shot on location in Torbay with an all local cast and crew – an authentic and honest snapshot of the environment that inspired it. 

The Spring/Summer 2021 collection was created against a backdrop of a world in lockdown with the designers using this unique and unprecedented climate to approach their low-impact philosophy with renewed vigour. Finding freedom in a world full of uncertainty but free from expectation, they set about using recycled fabrics, leftover materials, a pair of found 80’s curtains, garments from local charity shops and repurposed boat sails left behind at the Torquay yacht club. 

Decamping from the city to Torquay, the collection is themed around memories of the English coast – summers in Devon by the seaside, all night parties around fires on the beach, waking up with the sun in your eyes, sand and seaweed in your hair…

Vinti Andrews has come to be represented by rebellion and self-expression, setting new ethical standards for fashion, and defining freedom in these fundamental beliefs. Their ingenuity and initiative in the face of difficult times, have culminated in a collection that captures a moment in time. Memories of the past, finding opportunity in the limitations of the present, and optimism that a better way of doing can lead to a brighter future.
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WWW.VINTIANDREWS.COM
@VINTIANDREWSOFFICIAL
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THE LOBBY LONDON
17 St Annes Court, London, W1F 0BQ
@THELOBBYLONDON
WWW.THELOBBYLONDON.COM
Edward Crutchley SS21
23 September. 2020 - London Collection.

Edward Crutchley's spring collection channels the flawless sang-froid of avenging female Yakuza bosses in Hideo's Gosha's 1986 film Gokudô no Onna-tachi. The look is a paean to grit, glamour and gall: eighties decadence, the dazzle of hi-gloss on cheekbones and the thrill of daring to dress.

The clothes have the unruffled confidence of corporate casual in their cut: for men it is easy pyjama collar shirts, cropped trousers, two-button blazers worn with double pleat Bermudas or boxers. Regal, full-length Ottoman court kaftans and padded belts. Womenswear includes 18th Century lace cuff frills, hyper-exagerrated flounces and sarong-inspired draped pencil skirts. 

Footloose tailoring is offered in a triage of stalwart British fabrics: elegant houndstooth, refined Prince of Wales check and an exploded hingham with Jaspé yarn highlight. The formal riffs on the frivolous. Continuous ribbon stitching inspired by Mariachi jackets and Irish dancing dresses frolics around the hem and lapel of classic tailored two-button jackets and on-piece-cut robes. Sequin and rhinestone lemons and oranges are appliqué onto the front of neat collared shirts and jackets. A Rocco rosary ribbon print is reworked from a vintage Japanese Kabuki costume and renewed with the signature EC logo wheel, which also features as a repeat metallic hand-foil pattern.

Inspired by opulent antique costume jewellery, polished burst jewel fruit and insects appear almost airbrushed into reality in repeat prints. A fecund graphic magnolia design - a reworking of a pattern debuted for SS17 - is on fresh, fluid silk morocain. The original derives from a 1930s art school project kimono, for which students were tasked with reinterpreting traditional Japanese motifs in an Art Deco style. It is also applied onto a pink lurex and white silk Jacquard base using an AI guided technique.

Hawaiian of 'Aloha' shirts have been a staple of Crutchley's collections since his debut in 2015. Japanese and Chinese sewers, tailors and dressmakers established the tradition of using Asian textiles tomato island clothing for the influx of American tourists visiting Waikiki in the 1930s - the meeting fo cultures if endorsed through Crutchley's own practice of marrying global craftsmanship with British textile heritage.

With usual panache, Stephen Jones has translated the floating ribbons of Chinese temple guardian status into a towering bow that rests high on the top of the head or worn wrapped around the chin, as if defying gravity.

Completing the look are scoop-fronted pumps or flat patent slippers by Christian Louboutin, EC logo earrings with dégradé cascades of rhinestones and fruit ear cuffs - and, naturally, the iconic fruit minaudière, borrowed from the Judith Leiber archives. 

Words by Dal Chodha.
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CREDITS

Styling: Julian Ganio
Casting: Sophie Lynas at Leda Casting
Hats in collaboration with Stephen Jones
Shoes in collaboration with Christian Louboutin
Bags by Judith Leiber
Jewellery in collaboration with Gianluigi Zoccheddu and Victoria Rickard
Hair: Kota Suiza at Caren
Makeup: Michelle Dacillo
Nails: Marie-Louise Carter using Luella Belle and Artistic Nail Design
Stills Photography: Francisco Gomez de Villaboa
With thanks to Yang JinDian, Karen Coughlan and John Handford, Ata and Salients at TRUK 1609, James and team at James Bosley Studio, Andrew and team at The London Embroidery Studio, Caren, Vicky and all at Caren Agency.
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WWW.EDWARDCRUTCHLEY.COM
@EDWARDCRUTCHLEY
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THE LOBBY LONDON
17 St Annes Court, London, W1F 0BQ
@THELOBBYLONDON
WWW.THELOBBYLONDON.COM
Bethany Williams SS21
23 September. 2020 - London Collection.

ALL OUR CHILDREN
By Eno Mfon
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They say it takes a village to raise a child,
But did they tell you that they’ll turn a child away,
Based on their parents postcode,
Or the place their grandfather called home,
A past they did not choose, used to determine their present.
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Excuses have met these children at the door,
Before they could even say a word,
They have just learnt how to say mama,
So how can they possibly ask for help,
They’ve watched their mama’s try before,
Seen them cry behind closed doors,
Because behind every closed door is the belief that,
“These are not our children”
That, our rooms are reserved for babies born in our borough,
With our blood,
From the womb of a woman who looks just like us.
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They say it takes a village to raise a child,
But do they know that that child could one day raise their
village,
Change their entire city,
Rearrange the landscape so that we see this world differently,
With skyscrapers made out of hopes and dreams,
Becoming concrete, becoming reality,
Our future lives in their imagination,
They carry it along the pavement of their minds, Until their hands are strong enough to build it,  
Until their mouths are filled with words of their own,
Until their feet are able to find a way home,
Until their shoulders can carry any responsibility,
They are first ours,
They say it takes a village to raise a child,
And I say, we are that village,
And they are all our children.
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Bethany Williams SS21

London-based designer Bethany Williams presents her SS21 collection celebrating the ethos of the Magpie Project, an organisation she has been volunteering for and collaborating with since 2019.
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Newham-based Magpie Project works with children and mothers who are homeless or at risk of homelessness – 80% of whom have no recourse to public funds (NRPF). These children, like some 100,000 in the UK, live in destitution because their parents immigration status denies them the safety net of our welfare system. In 2017, the Project’s founder Jane Williams first became aware of the plight of these children in her community. She sought help from the local authority. She was told by councillors, service providers and commissioners that they had no duty to look after these vulnerable children because they were not in the right catchment area, they were not entitled to help, they were “not our children.” Jane couldn’t let this stand. She set up the Magpie Project to insist that – no matter what – every child has the right to support: they are all our children.
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Bethany’s latest collection – aptly titled All Our Children – not only finds its inspiration in the stories and lives of the people she met and worked with there, but also the importance of family spirit in a child’s life. Through the process of designing the collection, Bethany included the families that are part of the Project via drawing workshops and playtime, and then teamed up with illustrator and artist Melissa Kitty Jarram on transforming children’s drawings into prints and patterns that became part of the final textiles. “This is a true co-production with the Magpie community and it’s really validating for these women who have previously been disbelieved and unheard, marginalised and ignored to be valued and listened to at the highest level,” explains Jane. As always, 20% of the proceeds from the collection will go back to the Magpie Project.
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Part of this outing is also a partnership with the Somerset House – Bethany and Melissa designed a flag that will be erected on top of the House in honour of All Our Children. In addition to the words, the vibrant design of a mother and child on the canvas references the Asafo flags of the Fante people in Ghana that traditionally symbolise warrior-like strength which is in this case assigned to the mothers of Magpie.
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Through her continuous work with environmental health in mind, Bethany once again worked with deadstock, organic and recycled materials as well as with manufacturing units as part of social initiatives San Patrignano and Making for Change. Several pieces are patchworked out of deadstock jersey and nylon garments provided by Adidas Originals. For the first time, the collection includes tailoring which adds a new layer to the growing reach of Bethany’s garments. She also worked with Welsh designer Rosie Evans on two different corset designs for which Rosie created boning out of fruit packaging waste. While she started and continues to be labeled as mainly a menswear label, Bethany Williams aspires to reach as many people as possible. With garments fit on both male and female bodies, the goal is to give more people access to wearing them, herself included.
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Following last season’s research at the V&A Museum of Childhood, SS21 marks the debut of Bethany Williams kidswear. Three looks made as miniature replicas of the adult ones encompass the narrative of the brand’s world being all-inclusive. At the beginning of the design process, the designer reached out to her community in order to accumulate both visual and verbal personal stories dating back to their early years. These tales became the inspirations for the silhouettes, with some of them being interpreted by Mellissa into illustrations that appear hand-printed on the pieces. Building on the idea of familial unity, Bethany has worked with ISKO VITALTM+ on creating matching adult and children’s protective face covers in organic materials printed with the collection’s graphics.
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As part of her most focused vision yet, Bethany presents another newness. Bags, developed with Tottenham-based specialist Stevan Saville, are woven in San Patrignano out of book waste provided by Hachette Children’s and come in two different styles. The first, a hybrid of a reading wallet and a book with a customisable metal name plaque, comes in three sizes correlated to different publishing formats: mini dictionary, novel and encyclopedia. The second style is an updated take on a childhood lunch box – a one- of-a-kind vintage piece wrapped in the colourful woven fabric. Both styles come with detachable crossbody belts and are 100% vegan products.
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Instead of a catwalk show, Bethany worked on the visuals with her friend and photographer Ruth Ossai. Shot in accordance with the Covid-19 government guidelines in front of Magpie’s Newham offices, the lookbook photographs and film capture five families wearing the garments. The video is soundtracked with a poem specially written for this occasion by playwright and writer Eno Mfon. Powerful, moving and encouraging all of us to own up to our collective responsibility for the next generation, her words verbalise the mission of the collection and Bethany’s work at-large. “They say it takes a village to raise a child, And I say, we are that village and they are all our children.”
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themagpieproject.org
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This collection is dedicated to the loving memory of Lisa Hoang and Elie Che.
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CREDITS
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Creative Direction – Bethany Williams
Director, Photographer & Filmmaker – Ruth Ossai
Photography assistants: Luke Ossai, Ryan Connolly
Film and Editing - Lorraine Khamali
Poet – Eno Mfon
Stylist – Tallulah Harlech
Illustrator– Melissa Kitty Jarram
Casting – Chloe Rosolek
Music Direction – Benji B
MUA – Rebecca Davenport
Knitwear – Alice Morell Evans
Footwear – Adidas and Helen Kirkum
Corsets - Rosie Evans
Bags – Stevan Saville
Text – Dino Bonačić
Communication – The Lobby London
Production – Faye Scott-Maberley
Models - Stephanie, Khalani, King, Mariam, Mohammed, Mesk, Melaz, Kemi, Leo, William, AJ, Akuac Team – Natalie Hodgson, Catriona Macleod, Megan St Clair
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Supported by the Adonyeva Foundation
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Special Thanks – The Magpie Project, Somerset House Trust, The British Fashion Council, Caroline Rush, Wool and the Gang, ISKO VITALTM+, Orto Print Studio, Molly Evans, Joseph Henry, Eric Williams, Karen Kewley, Natalie Hodgson, Catriona Macleod, Megan St Clair.
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WWW.BETHANY-WILLIAMS.COM
@BETHANY_WILLIAMS_LONDON
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THE LOBBY LONDON
17 St Annes Court, London, W1F 0BQ
@THELOBBYLONDON
WWW.THELOBBYLONDON.COM
Art School SS21
23 September. 2020 - London Collection. 

This season ART SCHOOL will present their collection through a runway film, set in Waterlow Park’s Kitchen Garden, Highgate. The largest show thus far, with 54 looks encapsulates a turning point in the brand’s evolution. The show focuses on the cast of models as a reflection, extension and examination of their own history.

Divided into three parts, each offers a take on dark monochrome tones, such as green, grey and black. The sections reflect aspects of queerness and play on themes of community and kinship. ART SCHOOL is informed and inspired by each member of the cast and celebrates difference, beauty of the body in process. 
With this show ART SCHOOL staged the constant journey of becoming. These themes are implied in each look as a form of embodied practice. This in turn is reflected in the dismantling and questioning of the normative or physically able body. For ART SCHOOL crip identity is a unique source for creation and beauty. 

Tailoring is purposely oversized or pulled tight around the waist. The silhouettes equally emphasise the importance and restriction of movement and physical space. Leather coats are made from reconstituted cow hide and vegetable dyed. The gender-neutral uniform is a continuous theme which offers protection. Silk dresses and suited jackets have been slashed and frayed to expose layers of fabric and skin.  

This season builds further on the collaboration between ART SCHOOL and the artist Richard Porter. His jewellery and wearable sculptures are referencing themes of preservation and memory. Toys play an important role in the resolution of conflict and at times help us to unravel complex ideas and histories. As lifeless objects, toys exist through someone else’s imagination. For Richard Porter this is only one part of the story. His objects unpick the frequently dismissed idea of art as therapy. Each is cast in clay and in this way turned into remnants of the past. They become artefacts held by robes and knots, they may be carried in one hand or tight around the waist or neck. Dinosaur toys or empty paint tubes have been fossilised as a way to preserve and protect the past. Each piece tells us about the desire to communicate something to a world that is yet unknown. 

Therapy marks a turning point, and a way to connect and grasp the past and future. Both in Richard Porter’s interpretation of toys or pagan symbols like the sun and stars or Art School’s slashed, ripped and torn jackets and dresses. 

The collection tells a story that will continue to haunt us, or so it seems. 

Words by Nathalie Khan­­
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CREDITS

Designer & Creative Director: Eden Loweth
Music: Celeste
Production: Studio Boum
Make-up: Bea Sweet at JAQ Management using Monroe Skincare
Hair: Shon Hyungsun Ju at The Wall Group
Jewellery & Ceramics: Richard Porter x Art School
Footwear: Dr Martens
Eyewear: T.D.Kent x Art School
Film: Madd Creative
Studio Manager: Elly Beckford
Head of Atelier: Row Seward

I want to personally thank Tom Barratt for being an intrinsic part of Art School for the past four years. I am eternally grateful for everything you have contributed creatively and professionally to the work we’ve done together including in the incubation of this collection. Thank you forever.

Eden Loweth would like to thank the entire Art School community, every model, mentor and stockist that continues to unwaveringly support me on this journey and who continues to give me the strength and guidance to grow and believe I can do this. 

Special thanks for Sarah Mower, The BFC NEWGEN Panel, Lulu Kennedy, Natasha Booth, Raphaelle Moore, The MAN Panel, MImma Vglezio, SHOWStudio, Grace Wales Bonner, Paria Farzaneh, Ash Smith, Paula Loweth. Thank you all so much.
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WWW.ARTSCHOOL-LONDON.COM
@ARTSCHOOL_LONDON
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THE LOBBY LONDON
17 St Annes Court, London, W1F 0BQ
@THELOBBYLONDON
WWW.THELOBBYLONDON.COM
Terra
23 September. 2020 - Exclusive Editorial 

“ The connection between the human soul and Earth “
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Photography by Kevin Alexander Styling by Luciano Sandoval Jr Makeup by Kevin Cheah Hair by Keita Higashi Model by Somalia Knight from We Speak Models
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Fashion by Rossi, Said studios, Quod, Georgina Herrera, Sebastian Durant, Saima Chaudhry, Miranda Kurtishi, Soid Studios, Demonia, Zana Bayne, Whocareswhynot, Saima Chaudhry, Celestino, Jessica chang, Swarovski, freakbutik, Ferraro, Monalizabeth, Hat Couture Creations and Per Fidem
Katie Ann Mcguigan SS21
22 September. 2020 - London Collection. 
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Katie Ann McGuigan is a contemporary luxury label founded in London with a conscious effort to source locally. This commitment to designs made in London extends across the supply chain from sewing technicians, pattern makers, shoemakers and factories to textile sourcing and yarns, with even specialist materials being sourced from elsewhere within the British Isles.
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Katie Ann McGuigan’s design aesthetic draws influence from environmental and cultural factors and how these manifest in the coming together of vivid and diverse communities. Born in Ireland and based in London, the explorations and observations that inform Creative Director and founder Katie Ann McGuigan’s creative viewpoint are a familiar but refreshing take on the heritage, craft and culture of the British Isles.
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For Spring/Summer 2021 McGuigan found inspiration in her own family history alongside Irish photographer Tom Wood’s work documenting life in the North of England. Her parents designed and built artisan furniture in Denmark before returning to Ireland in 1979 and founding their own company Orior from their workshop in Newry, Northern Ireland. Tom Wood’s photography captured every-day scenes in the North of England from the same period, with McGuigan being drawn to the furnishings inside the homes of his subjects, informing prints, graphics and artworks in her collection. Garments include Crepe de Chine and organza digital print dresses with matching silk scarves, signature hand dyed casual sets and hand-printed leather jackets and trench coats.
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WWW.KATIEANNMCGUIGAN.COM
@KATIEANNMCGUIGAN
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THE LOBBY LONDON
17 St Annes Court, London, W1F 0BQ
@THELOBBYLONDON
WWW.THELOBBYLONDON.COM
Ophelia
22 September. 2020 - Exclusive Editorial 

“What need to clutch with iron grasp What gentlest touch may take?
What need with aspect dark to scare, So awfully, so terribly,
The weary soul would hardly care, Call’d quietly, call’d tenderly,
From thy dread power to break? ...”
CAROLINE SOUTHEY, “TO DEATH”
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“Ophelia” is a fashion editorial that mixes a strong influence of East-European stylism with the romance and drama of classical Pre-Raphaelitism.
The story tells us about Ophelia. Despite her wealth
and advantages, the young girl abandons the vanitas once she understands how much suffering the world has outside the aristocratic privileges. Through pictorialism, images speak the language of nostalgia and confusion — the two pillars of Ophelia’s inner self.
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Photography by David Quesada Acedo Art Direction by Acuarela Beard Styling by Simona Senkauskaitė Makeup by Ema Manikaite Model by Darina Safronova from RUTA MODELS
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Fashion by Jean Paul Gaultier, Sprwmn, Isabel Marant, Ulla Johnson, Acuamona, Manokhi, Acnestudios, GANNI, BASSIKE, RedValentino, P.A.R.O.S.H., MSGM, Amen, FRENKEN, MAGDA BUTRYM, AGNELLE, The 2nd Skin Co., Ann Demeulemeester, Isabel Marant, Acuamona and MM6 Maison Margiela
Such stuff as dreams are made on
21 September. 2020 - Exclusive Editorial 

Photography by Alexander Yantyushev Styling by Ulyana Shulgina Makeup & Hair by Alina Mezénova Assistant by Maxim Morokh & Vladimir Afanasiev Model by Kostya from Desired, Nastya, Sonya and Christina from PRET-A-PORTER MMG

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Fashion by Twinset, Far, Alessandra del Biondo, T​otême, Luisa, Pokrovskiy Atelier, Gucci, Balenciaga, Dolce & Gabbana and Anya Hindmarch
Child of Nature
20 September. 2020 - Exclusive Editorial 

Photography by Irina Bunyatyan Styling by Anna Kosulina 
Makeup by Polina Ilushina Model by Eliza from Modus Vivendis
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Fashion by Omut, Mihaeli, Sexy Fish Jewelry, Salon Bonaparte, Cocoshnick Headdress, Evgeniya Barkova, Paola Ray, Victoria Andreyanova and Liza Kostyukova
Losing Control
19 September. 2020 - Exclusive Editorial 

Creative Director & Photography by Taja Spasskova Styling by Kristýna Coufalová Makeup by Nina Kirk Model by Martina Vyšná from CRUSHMODELS Studio by Zarnica
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Fashion by Tereza Rosalie Kladosova, Dominika Kozáková, Kristýna Coufalová, Karolína Čechová, Vivien Babicová and Jakub Polanka
L'atelier
18 September. 2020 - Exclusive Editorial 

Bodies are always willing to explore, especially in front of a camera. 

Visual arts have been mirrors for human bodies since time immemorial, why not let human bodies be mirrors for visual arts? These pictures intend to reflect on how playful anatomies can be as soon as they arrive in artsy dimensions.

This atelier works as an expedition to the unknown, to a place where it's not necessary to ask for permission to seek, manifest, or create.
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Photography & Post by Malena Sueiro Set Design by Maia Lappas Artist by Julia Foti Makeup & Hair by Betania Bernald Makeup & Hair Assistant by Pehtra Paraquett Model by Sofía Ferran from Not Models Management & Valentina Vricella from Ceres Management 
She's Like The Wind
17 September. 2020 - Exclusive Editorial 

Photography by Joaquim Vos Styling by Aoife Keogh Makeup & Hair by Anh Nguyaen Model by Anne Spoel
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Fashion by Ferry Schiffelers, Christopher Esber, Comme des Garçons, Balenciaga, Filling Pieces, Jil Sander, Edited, Karl Lagerfeld and Helmut Lang
The Moment Before
16 September. 2020 - Exclusive Editorial 

This series is inspired by relationships between Secret Agents as we know them by movies. Mulder and Scully, Agent Cooper and Diane, Mr. and Mrs. Smith represent fair justice even when law turns against themselves. We are thrilled by their cold mind, worldly wisdom and desperate courage in order to help people. 

Being fearless, strictly focused and not allowed to trust anyone, Agents reveal extreme sensitivity towards their partners. And couple relationships develops as the the war lasts. Every day may become the last one, and every minute of their life is a “moment before” a shot, or an important decision or a kiss.
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Photography by Natasha Yankelevich Styling by Vasilisa Gamaleya-Gusarova Makeup & Hair by Maria Khrenikhina Pp by Sergey Shmakov Styling Assistant & Set Design by Ksenia Tarabarova
 Model by Olga Dryzhina & ​Pavel Bryuzgin from Modus Vivendis Pp by Sergey Shmakov
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Fashion by Brunello Cucinelli, Strogo Vintage, L’appartement and House of Leo
Shades of Desert
15 September. 2020 - Exclusive Editorial 

Photography by Shay Tamir Styling by Tomer Almoznino Hair & Makeup by Moran Elienberg Model by 
Monica, Mohammed, Dray and Rebecca from yulimodels
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Fashion by VENDER, HANNAH, Mirza and HIGHLIGHT STUDIO

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Less
14 September. 2020 - Exclusive Editorial 

Photography by Sen Liu Hair & Makeup by Xin Jin Model by FLYmodel Special Thanks to JNBY, LESS and SHENGDA

Crack of Dawn
13 September. 2020 - Exclusive Editorial 

Photography by Stefen Ng Styling & Art Directing by Ivanka Wu Makeup by Amalia Cantiqa Hair by Lynn Set Styling by Priscillia Assistant Makeup by Nadira Maulana Model by Sneja from RAD Models Location by White Luxe
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Fashion by Priscillia, Feeneta, Serra Nata, Dei, KLAR and MADER
A Shaded Summer
12 September. 2020 - Exclusive Editorial 

Photography by Otto Masters Styling by Hannah Edgar 
Model by Mollee Donovan from Zone Models
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Fashion by Loewe, Mara Hoffman, Warehouse x Shrimps, Balenciaga, Pull & Bear, Sun Buddies, Rockins, The Attico, Marine Serre, Missoma and Free People
SPF 50
11 September. 2020 - Exclusive Editorial 

Fleeting summer, which is always not enough, leaves a sharp kiss reminder of the past hot days under the scorching sun. And only traces of sunburn and sand from the beach in the sandals forgotten in the bag dip into the heat of the outgoing season.
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Photography by Diana Nikishina Styling by Sofi Volkova Hair by Ekaterina Bubnova Makeup by Maria Bukina Model by Alena Makarskaya
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Fashion by Zara, Lime, Calzedonia, L’autre Chose, Zimmermann and Michelle Mason 
Lily
10 September. 2020 - Exclusive Editorial 

Photography and Styling by Lexi Laphor Hair & Makeup by Lisa Fulginiti Model by Lily Guthrie from Priscillas Models
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Fashion by Leo & Lin, Mountain and Moon, Millie Savage and Arlo Studio
T-Hole
9 September. 2020 - Exclusive Editorial 

She is on the verge of sneezing, and so she looks for the tissue. She falls into the T-HOLE, so she seeks advice to return home with the tissue. She fights for her return and of course, for her tissue. She finally comes back home as a new person, perhaps as the tissue.
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Photography by Elizabeth Kezia Styling by Yemima Cahyani Pujilestari Makeup by Cindy Giovanny Hair by Leonardus Y. Photography Assistant by Andrean Lim Model by Sneja from Rad Models Management
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Fashion by Call It Spring, Summer (Tailor), River Brand, Krisbow, Rara Show and Red Carpet
Dinoland
8 September. 2020 - Exclusive Editorial

Photography & Art Direction by Inna Malinovaya Styling by Sara Tazor Makeup by Vitalina Korotchenko Model by Mariam Monrow from SMC Model Management
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Fashion by Laura Gerte, Elodie Carstensen and Adriane Lila Fecke
Feathers and Flowers
7 September. 2020 - Exclusive Editorial

Photography by Jordi Terry Styling by Guillem Chanzá Makeup & Hair by Diana García & Anna Moolins from Kuki Gimenez Agency Model by Lucía Inerme, Lorena Oliver and Paula Gil
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Beauty by Mac, Marc Jacobs and Nars
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