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What remains of order when it is bent, stretched, or redefined?

JUL. ISSUE

A study in transformation—where form bends and fragments into layered possibilities, revealing hidden structure within disorder and inviting beauty through impermanence, movement, and reconfiguration. Ying Hong’s collection, titled “what remains of order when it is bent, stretched, or redefined?”, was inspired by her own experience —she loves buying clothes, but she noticed that many pieces only get worn once or twice. This made her want to create garments that are long-lasting, with multiple ways to wear them. She started exploring unconventional shapes and silhouettes, aiming to design pieces that feel chaotic at first glance but are actually built with a hidden structure—a kind of order within disorder. The goal is to encourage creativity in how the garments are worn while also addressing the issue of waste in fashion. Through this, I want to challenge traditional ideas of clothing and propose a new kind of beauty—one that embraces change, movement, and experimentation.

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